Enclosure B, a short overview

Second in our series of short overviews of the architecture of Göbekli Tepe’s older layer comes Enclosure B – which also was the second structure discovered during excavations.

The ground plan of this enclosure is round, with an internal diameter of nearly 10 metres. Two central pillars and a total of eight pillars in the surrounding ring wall have been discovered so far. Most of these pillars are undecorated and none of them, as far as their front (i.e. ‘belly’) sides are visible, are adorned with the raised lateral parallel bands thought to depict a stola-like garment.

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Pillar 6 in Enclosure B (Photo: I. Wagner, copyright DAI).

Pillar 6 in the southern part of Enclosure B shows the relief of a quadruped animal from above on the small side of the pillar’s head. It resembles a reptile, but there are also similar PPN depictions which may depict leopards. On the pillar-shaft a snake is depicted crawling down. It is worth noting that all reliefs are found on the backside of the pillar, i.e. not facing towards the central pillars, a clear indication that Pillar 6 likely represents a case of secondary use.

Pillar 7, also located in the south of Enclosure B, has a largely obliterated relief on the right side of its head. There is also an old damage visible at the same pillar’s shaft and its head seems to have been reshaped at some point, resembling actually more a “Γ” than the typical “T”. Pillar 8 is located in the southeastern ring wall and has not produced any reliefs so far. In the eastern ring wall Pillar 14 has been excavated only partially. It bears the relief of another quadruped animal, maybe a fox, on the right side of its head which, however, is largely covered by the ring wall. Pillar 15, also in the eastern wall, stands parallel to the central pillars. That is unusual compared to the other circular enclosures’ layout where the pillars of the ring are facing the central pillars – most likely this indicates another case of secondary use of older pillars. Pillar 15, too, has no reliefs so far. And while Pillar 16 is still largely hidden in a baulk, Pillars 34 and 58 have not been completely excavated as of yet.

Both central pillars of Enclosure B, Pillars 9 and 10, bear a fox depiction – which thus dominate the reliefs of this scarcely decorated building. The fox on the western broad side of Pillar 9 is large, it measures about 110 cm. The fox on Pillar 10 follows this relief in position and measurements. Below it the shallow engravings of a boar and three dogs are visible, probably a later added hunting scene. Between these two central pillars a terrazzo floor was exposed in an area covering several square metres. This is a significant difference to most of the other PPN A enclosures discovered at Göbekli Tepe so far where the floor was formed directly of the (carefully smoothed) natural bedrock. The terrazzo may somehow work as imitation or ‘replacement’ of the limestone floor here and we can not exclude yet that there is some older floor level underneath. Interestingly, in front of central Pillar 9 a stone bowl was discovered – embedded right into the terrazzo which forms the floor of Enclosure B. A small channel running to to this bowl underlines its possible role in rituals which seem to have taken place here between both central pillars.

porthole-stone

Porthole stone found in situ in a wall in a deep sounding to the north of Enclosure B (Photo: N. Becker, copyright DAI).

To the south of the central pillars, a  bit off the Enclosure’s center, a so-called porthole stone was found lying on the terrazzo floor. ‘Porthole stones’, i.e. roughly quadrangular megalithic workpieces with one or two central openings are known in larger numbers from Göbekli Tepe. There are good arguments to interpret them as possible entrances, as another example found in a deep sounding to the north of Enclosure B demonstrates. This richly decorated porthole stone was found in situ, embedded into a wall. Whether the other example, found in the enclosure’s center, was installed orginally in a wall, too, or maybe in a possible roof, must remain unclear so far and may be answered by further research.

Enclosure A, a short overview

During the first field season at Göbekli Tepe in 1995 one of the landowners had started to clear his field in the southeastern depression of stones that hindered ploughing. He dug out the heads of two large T-shaped pillars and had already started to smash one pillar with a sledgehammer. Fortunately he could be persuaded to stop, and in the 1996 work started in this area. What came to light here was the first of the monumental buildings of Göbekli Tepe’s older layer (Layer III), later called Enclosure A.

Anlage A

Enclosure A in 1997 (Photo: M. Morsch, copyright DAI).

The ground plan of Enclosure A appears more rectangular than round. First radiocarbon data suggest that it may be a little younger than other Enclosures, C and D, and maybe the rectangular shape already could indicate the transition to the later, rectangular, Layer II building type. The existence of different outer walls may as well hint at a longer building history and possible alteration over toime. However, Enclosure A is still not entirely excavated, so any description must remain preliminary as of yet.

Pillars 1 and 2, the central pillars of Enclosure A, were excavated down to the level of the stone bench leaning against the inner walls of the building. Both pillars are richly adorned with reliefs. Particularly striking is a net-like pattern, possibly of snakes, on the south-western side of Pillar 1. The front side of this pillar carries a central groove running vertically from below the head to its base, covering about one third of its width. This groove and the raised bands to either side are decorated with five snakes in bas-relief. Maybe this is a depiction of a stola-like garment which is similarly known from other pillars as well. Pillar 2 carries on its right side a vertical sequence of three motifs: bull, fox, and crane. Its narrower back side is adorned with a bucranium between the vertical bands of another stola-like garment. Insights and experience gained in the last years, particularly with regard to typical motif-arrangement, suggests that Pillar 2 was not found in its original position, but was at some time moved to this, secondary, location. In the course of this action, the original back side of the pillar became its front and vice versa.

grafik1

Göbekli Tepe, detail of the main excavation area with Enclosure A (Plan: K. Schmidt, copyright DAI).

Currently, the number of pillars surrounding the two central figures in Enclosure A lies at four, though it is expected that this number will rise once excavations are continued in this area. Pillar 5 shows a snake again, Pillars 3 and 4 are without reliefs. Pillar 17 was heavily destroyed already in prehistory, and is without reliefs so far, too. As with all the buildings of Göbekli Tepe’s older layer, one animal species seems to dominate the imagery of Enclosure A. In this case, it is the snake which appears noteworthy often.

Further Reading

Klaus Schmidt, The Urfa-Project 1996, Neo-Lithics. A Newsletter of Southwest Asian Lithics Research 2/96,2–3.

Klaus Schmidt, Göbekli Tepe, Southeastern Turkey. A Preliminary Report on the 1995-1999 Excavations, Paléorient 26/1, 2001, 45-54.

Lithic Analysis or “Meet the Flint-stones”

This is Jonas and in this short contribution I would like to introduce myself and the research I am conducting. In the frame of the Göbekli Tepe project I will be responsible for the documentation and anlysis of lithic materials. Previously my focus has been on lithics from sites dated to the earliest Neoltihic in Central Europe. Upon my first visit to the site, I was astonished by the large amounts of flint. The analysis of this exceptional material will provide unique insights into lithic technologies, for example, châine opératiore, as well as cultural preferences, including diverse knapping techniques. Due to the extraordinarily large numbers of flint recovered from the site, I will be focusing on materials recovered from carefully chosen areas/archaeological features. Drop back soon for updates and new insights.

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Collection of projectile points from Göbekli Tepe. Just a small example of the lithic industry present at site. (Photo: N. Becker, DAI)

“Dances with Cranes” – Animal masquerade in Pre-Pottery Neolithic ritual.

The detailed and complex, often supposedly even narrative reliefs at Göbekli Tepe’s T-pillars are one of the most fascinating features of the site (next to its impressing monumentality of course). The crucial question of its interpretation is well related to our understanding of the iconography and what it meant in its creators’ world view. Do the respective animals represent certain segments within Pre-Pottery Neolithic hunter communities, are they depicting actual events or do they give a more mythological account of spiritual concepts?

Among the skilful naturalistic reliefs, predominantly depicting animals in an accuracy that bears witness of a close relation to and careful observation of nature, birds seem to take on a special role. Water birds like ducks and cranes, but also storks, ibises, and vultures are a recurring motif in this stone-age picture book. In particular because of this careful and dedicated naturalistic representation of the animals depicted, an image on Pillar 2, one of the earliest discovered T-pillars at Göbekli Tepe, was puzzling from the very beginning (Schmidt 2012, 116-119). There, underneath an aurochs and a fox, a crane was carved into the limestone (Fig. 1).

P2

Fig. 1: Pillar 2, Göbekli Tepe. Showing reliefs of aurochs, fox, and crane. The latter one with an extraordinary, rather not brid-like leg-anatomy. (Photo: DAI)

Again, one can only admire the virtuosity of this work, clear outlines forming the animals in the typical flat relief style well attested at the site from other carvings already. Yet something about that crane looks incongruous. Its long legs seem a bit odd, resembling much more those of a human than what would be expected as typical for a bird. Upon closer inspection a bird’s legs appear to bend backwards – so quite the opposite of what is depicted here. Actually, and we have to emphasise this here for any (archaeo-)zoologist’s peace of mind, this is only half true since bird-knees are situated much closer to their pelvis inside the body and not visible outside; what often is (erroneously) mistaken for the knees are in reality their tarsal (ankle) bones. However, the depiction of that crane on Pillar 2 still looks off from what could be seen in nature – so, would this mean rather poor observation skills or a lazy craftsman in this case? Since other reliefs from the site do properly depict bird anatomy (cf. Fig. 2), ignorant artists do not seem to be the most convincing explanation. Should we thus consider some intentional deviation from the naturalistic mode of representation which dominates the majority of Göbekli Tepe’s iconography here? If so, what could this peculiar depiction mean?

P56

Fig. 2: Pillar 56 from Göbekli Tepe, however, does show (among many other animals) the depiction of long-legged birds with proper anatomical legs. (Photo: DAI)

In 2003 Nerissa Russell and Kevin J. McGowan published a most fascinating paper [external link] about a notable crane-bone find from Pre-Pottery Neolithic Çatalhöyük (Russell & McGowan 2003). This central Anatolian settlement site dates to the middle of the 8th and the 7th millennium BC (PPN B to Pottery Neolithic) and shows some considerable links with Göbekli Tepe, especially in terms of iconography. The find of particular interest here is a single Common Crane left-wing coming from a deposition at Çatalhöyük’s East Mound. These bones were found together with a cattle horn core, two wild goat horns, a dog head, and a stone mace head. This association of cattle, canid, and crane alone already may be a noteworthy correlation to the depiction on Pillar 2 from Göbekli Tepe. Yet the analysis of the crane bone itself is even more interesting: it is the part of the wing which has little flesh, but the large flight feathers attached. Consequently, the cut marks on these bones do not indicate simple butchery waste, but the intention to separate the wing at the joints. Furthermore, the cutting motions indicate that apparently one or two holes were pierced through the skin between the bones. While one could of course imagine that the wing could have been mounted to a lot of things, the authors plausibly suggest that it might have been part of a costume – fibres running through the holes attested by cut marks could have been helped to attach it to a person’s shoulder for instance (Russell & McGowan 2003, 447-448).

One of the most intriguing facets in this context is that cranes are famous for their dances. Breeding pairs and whole groups of cranes perform these complex movements. Their dances serve purposes of socialisation and pair bonding, but also to avert aggression. As soon as one of the birds starts, others are joining – yes, they even would do so if a human initiated the dance. Dancing was emphasized as integral social behaviour among PPN hunter groups, stressing communal unity and intensifying group cohesion (Garfinkel 1998). Bipedal and almost human-sized, with a comparable life-span and similar social structure, it is easily imaginable that these hunters somehow could identify with the dancing cranes, maybe even consider them reborn humans or ancestors. Russel and McGowan thus suggest that crane dances may well have been imitated to re-enact myths of origin, maybe of the own clan or humanity as such (Russell & McGowan 2003, 451-453) (Fig. 3). Related ritual dances are indeed not unknown from historic and ethnographic contexts and have been attested from a wide geographical and chronological range. Examples are known among Khanty (Ostiak) shamans from Siberia (Armstrong 1943, 73; Balzer 1996), the indigenous Ainu of Japan (St. John 1873), the Twa of central Africa (Campbell 1914, 79), and the sema dances of the Alevi in Turkey (Erol 2010) to just name a few.

crane_dancers_colour

Fig. 3: Dancing the crane dance. (Drawing: J. G. Swogger, with courtesy of the Catalhöyük Research Project)

So, since the fascination with cranes and their dances seem to be a thoroughly human phenomenon throughout space and time, the possibility of related Neolithic rituals should not come as a surprise. Cranes seem to have played an important role in the world of PPN hunter-gatherers. Remains of crane bones were reported from PPN B Jericho (Tchernov 1993) and Çatalhöyük (Russel & McGowan 2005) for instance, and they are known in significant numbers from Göbekli Tepe as well (where they form the second largest group in the avifauna right after corvids (cf. Peters et al. 2005, Table 1)). Next to the already introduced crane depiction from Göbekli Tepe’s Pillar 2, similar reliefs were discovered on Pillars 33 and 38 which, too, stand out due to their comparatively thick legs and what seems to be ‘human-like knees’ (Fig. 4 and 5). From PPN B Bouqras in Syria a frieze of about 18 painted and incised cranes is known – the repeated depiction of the same posture maybe indicating a dancing scene (Clason 1989/90; Russell & McGowan 2003, 450). Another little known painting at Çatalhöyük displays two cranes facing each other, their heads raised (Mellaart 1966, 190, Plates LXII-LXIII; Russell & McGowan 2003, 450). Since noticeably often pairs of animals facing each other are depicted, cranes may have been linked to a larger symbolism of pairs or twins which well reminds of Göbekli Tepe’s dualistic central pillars as well.

P38r

Fig. 4: Of the three birds depicted on Göbekli Tepe’s Pillar 38 at least two (likely to be identified as cranes) demonstrate rather unusually bend, almost human-like legs. (Photo: DAI)

P33

Fig. 5: Detail of Göbekli Tepe’s Pillar 33 showing a crane (note the characteristic neck, head, and tail feathers) with unusual sturdy and bend legs. (Photo: DAI)

The conspicuousness of the Göbekli Tepe crane depictions, which, since large birds are practically unknown from the older, Palaeolithic pictorial art, might be the oldest yet known images of this bird, was already noted upon their discovery by Klaus Schmidt (Peters et al. 2005, 227; Schmidt 2003, 26-28; 2012, 170-174, 182-184). The representation of human legs somehow evoke the impression of masked people (which would not be surprising, given the discovery of several stone masks at Göbekli Tepe) yet leave us with the still rather bird-like depiction of three (or four) ‘toes’. Schmidt suggested to not just identify this as simple masquerade but, on the basis of ethnographic analogies regarding shamanistic rituals of hunter communities, maybe even as the visualisation of a transformation into the animal itself (Peters et al. 2005, 231; Schmidt 2012, 119, 205-208). A kind of cognitive, and subsequently accepted physical metamorphosis in the course of the ritual by imitating the cranes’ dancing. Although proper evidence for such specific rituals and performances naturally is rare in the archaeological material, this line of thought at least offers an interesting interpretation for the unusual deviation from the strictly naturalistic animal depictions. Furthermore, together with the possible remains of what seems to be a crane costume from Çatalhöyük, it adds a fascinating facet to our slowly growing understanding of Pre-Pottery Neolithic social and ritual life.

It seems intriguing to even expand these thoughts beyond the discussion of dancing humans disguised as cranes. One of the wall paintings from Çatalhöyük for instance may also show vultures with human legs according to James Mellaart (Mellaart 1967, 167, Figs. 14 & 15). And at the foot of one of Enclosure D’s central pillars at Göbekli Tepe, right underneath the depicition of a fox skin-loincloth that pillar was ‘wearing’, the bones of a foxtail were found – probably hinting at the presence of a real such item of clothing there. Thus it seems reasonable and necessary to also consider other, even more costumes and their possible application in PPN ritual. As Russell and McGowan already emphasized (2003, 454): bulls (and vultures) are not the only animal symbols in the Neolithic world and we have to keep our eyes open to identify the more fragile clues among the material remains we are studying.

References (incl. further reading)

E. A. Armstrong, Crane dance in East and West, Antiquity 17, 1943, 71-76.

M. M. Balzer, Flights of the sacred: Symbolism and theory in Siberian shamanism, American Anthropologist 98 (2), 1996, 305-318. [external link]

D. Campbell, A few notes on Butwa: An African secret society, Man 14, 1914, 76-81.

A. T. Clason, The Bouqras bird frieze, Anatolica 16, 1989/90, 209-213.

A. Erol, Re-Imagining Identity: The Transformation of the Alevi Semah, Middle Eastern Studies 46:3, 2010, 375-387. [external link]

Y. Garfinkel, Dancing at the Dawn of Agriculture. Austin: University of Texas Press 2003.

J. Mellaart, Excavations at Çatal Hüyük, 1965: Fourth preliminary report, Anatolian Studies 16, 1966, 165-191.

J. Mellaart, Çatal Hüyük: A Neolithic Town in Anatolia. London: Thames & Hudson 1967.

J. Peters, A. von den Driesch, N. Pöllath, K. Schmidt, Birds in the megalithic art of Pre-Pottery Neolithic Göbekli Tepe, Southeast Turkey. In: G. Grupe and J. Peters (eds.), Feathers, Grit and Symbolism. Birds and Humans in the Ancient Old and New Worlds. Proceedings of the 5th Meeting of the ICAZ Bird Working Group in Munich (26,7.-28.7.2004). Rahden/Westf.: Verlag Marie Leidorf GmbH 2005, 223-234.

N. Russel and K. J. McGowan, Dance of the Cranes: Crane symbolism at Çatalhöyük and beyond, Antiquity 77, 2003, 445-455. [external link]

N. Russel and K. J. McGowan, Çatalhöyük bird bones. In: I. Hodder (ed.), Inhabiting Çatalhöyük: Reports from the 1995-1999 Seasons. Cambridge: McDonald Institute for Archaeological Research, 99-110. [external link]

K. Schmidt, “Kraniche am See”. Bilder und Zeichen vom frühneolithischen Göbekli Tepe (Südosttürkei). In: W. Seipel (ed.), Der Turmbau zu Babel. Ursprung und Vielfalt von Sprache und Schrift. Band IIIa: Schrift. Wien – Milano: Kunsthistorische Musuem Wien 2003, 23-29.

K. Schmidt, Göbekli Tepe. A Stone Age Sanctuary in south-eatern Anatolia. Berlin: ex Oriente e.V. 2012.

H. C. St. John, The Ainos: Aborigines of Yeso, Journal of the Anthropological Institute of Great Britain and Ireland 2, 1873, 248-254.

E. Tchernov, Exploitation of birds during the Natufian and early Neolithic of the southern Levant, Archaeofauna 2, 1993, 121-143.

Göbekli Tepe in images

Photography certainly is an important tool for documentation in archaeology. For me personally, it is also a hobby (you can find me on Flickr here: external link). Going through the loads of photos the digital age produces and often readily forgets, I found some images of Göbekli Tepe that I wanted to share here. The collection is not finished and the post will be expanded as I dig deeper into my archives. So come back for more if you like what you see!

gt_ansicht

Göbekli Tepe is situated at the northern periphery of the fertile crescent, on the highest point of the Germuş mountain range overlooking the Harran plain. The site lies on an otherwise barren limestone plateau.The tell has a diameter of around 300 m and is characterized by several mounds divided by depressions. At the highest point, Göbekli Tepe has about 15  m of stratigraphy. This is a view of the tell from the south, with the excavation camp. Taken in 2007, during my first field season at the site with the late Klaus Schmidt.

Work starts early at Göbekli Tepe (usually around 6 am), so there are lots of opportunities to catch the special morning light. Images of the tell seen from the southeast from 2007 and of the main excavation area seen from the southeastern hilltop, in 2012.

All areas excavated so far show a similar general stratigraphic sequence. The oldest layer III is characterized by monolithic T-shaped pillars, which were positioned in circle-like structures. The pillars were interconnected by limestone walls and benches leaning at the inner side of the walls. The circles measure 10-20m. Work in Enclosures D and C, 2009-2010.

In the centre of the enclosures stand always two bigger pillars, with a height of over 5m.  The T-shape is clearly an abstract depiction of the human body seen from the side. Images of the central pillars of Enclosure D in 2007.

Evidence for this interpretation are the low relief depictions of arms, hands and items of clothing like belts and loinclothes on some of the central pillars. The western central pillar of Enclosure D during excavation, 2009.

There is a clear hierarchy of pillars inside the enclosures. The central pillars are up to 5,5 m high, they have the already described anthropomorphic elements. The surrounding pillars are smaller, but more richly decorated with animal reliefs than the central ones. They are always „looking“ towards the central pillars, and the benches between them further amplify the impression of a gathering of some sort. Richly decorated pillars from Enclosure D, 2012.

Decoration of the pillars is not arbitrary. There are marked differences between the animal species depicted inside each enclosure. It could well be that the dominant species are connected to certain groups, in the sense of emblematic, or totemic symbols related to their identities. Foxes are the animal most frequently depicted in Enclosure B. The images are close-ups of the depictions on the central pillars.

Decorations on the pillars are not limited to low reliefs. On Pillar 27 in Enclosure C the high relief of a snaling predator is preserved. Directly in front of it, a boar is depicted in side view in low relief. A hunting scene? Images from 2009.


Pillar 27 is not the only example indicating narrative meaning of Göbekli Tepe’s imagery. One striking example for this is Pillar 43 in Enclosure D. Photo from 2009.

ct8m8newiaaodpn

Layer III is supraposed by layer II, dating to the early and middle PPNB. This layer is characterised by smaller, rectangular buildings. The number and the height of the pillars are also reduced. In most cases only the two central pillars remain, the biggest measuring around 1,5m. Layer II building with bench, pillar and stationary limestone vessel on the southeastern hilltop, 2012.

At Göbekli Tepe, the Neolithic quarry areas from which the workpieces for the enclosures originate are well known. They lie on the limestone plateau immediately adjacent to the site. The maximum distances that had to be covered were 600-700m. The largest standing pillars discovered so far have 5.5m and weigh around 10t. In the quarry areas however there is one example of a 7 m long pillar preserved.Photo from 2007.

To be continued…

 

Deciphering a meal at Göbekli Tepe (part 1)

Figure 8

(Photo: K. Schmidt, DAI.)

This short post is meant to introduce myself, Laura, as a new member of the Göbekli Tepe project team. I am an archaeologist doing research into the Neolithic and Bronze Age from the Levant to the Carpathian Basin with a focus on the archaeology of food and conflict. Exploring the preparation of vegetable meals in Göbekli Tepe and inferring the social dimensions of vegetable food is part of my project during the next three years.

Göbekli Tepe has a big potential for such studies. Not only is there a vast material culture related to food processing (grinding stones, pestles, mortars, sickles etc.), but food, and also vegetable food, seems to have had a special place in the worldview of its builders. Here is a little teaser.

In 2008, during the excavation of the final layers of Enclosure C, a special discovery was made. A wild boar and two stone platters lie in front of one of the central pillars of Enclosure C. The sculpture is around 30 cm high; its length is almost 50 cm. Both platters are similarly large, with diameters of 47 and 50 cm. They have been intentionally perforated in the middle; other similar finds from the site are usually unperforated. Strike marks are obvious around the perforation. Their surface is very well smoothed, although the northern platter is better worked than the southern one. Both platters are round with slightly convex surfaces down to the perforation. The wild boar is sitting with his mouth on the platters, somehow slightly oblique, its neck oriented to the hole.The platters don’t sit directly on the ground, but suprapose other stone vessels. Several more wild boar sculptures and reliefs are known from Enclosure C.  All of them are part of one bigger ensemble surrounding the central pillars – and this ensemble clearly shows strong links to the preparation of food.

We are only at the start of deciphering the multiple layers of meaning inherent in the buildings of Göbekli Tepe. So stay tuned for more as I start as we begin to unveil the site’s secrets.

Emblematic signs? On the iconography of animals at Göbekli Tepe

Göbekli Tepe was once called „a Stone Age zoo“ by its late discoverer Klaus Schmidt. This judgement is certainly appropriate, as the range of animals depicted is impressive. Bears, boars, snakes, foxes, wildcats, aurochs, gazelle, quadruped reptiles, birds, spiders, insects, quadrupeds, scorpions and many more are inhabiting the enclosures. But there is also some underlying structure to this zoo-like ensemble.

Tiere_Anlagen

The enclosures in the main excavation area with their prevalent animal species (several photographers, copyright DAI).

The enclosures of Göbekli Tepe show a variation in the animal species depicted prominently in the iconography of each circle. While in Enclosure A the snake prevails, in Enclosure B foxes are dominant, for example. In Enclosure C boars take over and in Enclosure D birds are playing an important role. Interpreting these differences as figurative expression of community patterns could probably hint at the different groups building the particular enclosures. Distinct enclosures may have served different social entities.

Table

The character of these entities remains open to discussion at the moment. There are some clues however. Restriction of the access to knowledge and participation in rituals seems to be attestable at Göbekli Tepe. On a general level, some object classes known from settlements are missing (Schmidt 2010, 70). For example, awls and points of bone are nearly completely absent. The tasks carried out with them probably were not practiced here, and it may well be that the part of the population carrying them out was absent, too. Further, clay figurines are absent completely from Göbekli. This observation gains importance in comparison to Nevalı Çori, where clay figurines are abundant, missing only in the ‘cult building’ with its stone sculptures and T-shaped pillars (Hauptmann 1993, 67; Morsch 2002, 148). Clay and stone sculptures may thus well form two different functional groups, one connected to domestic space (and cult?) and one to the specialized ‘cult buildings’ – and to another sphere of ritual also evident at Göbekli Tepe. Its iconography is exclusively male, and while evidence for some domestic tasks is missing, there is evidence for flint knapping on a much larger scale than in any contemporary settlement, and shaft straighteners are very frequent, too. Göbekli Tepe could have been a place for just a part of society, for male hunters. At least their ideology is exclusively represented at the site.

Anlage D

The pillars of Enclosure D (several photographers, copyright DAI).

But does that mean that all male hunters had access to the site? An answer is again hard to find, but another element of restriction is posed by the enclosures themselves. They are not of a size to accommodate very large groups of people at a time. If we imagine them open to the sky, then a certain public aspect would have to be taken into account, but another possibility is a reconstruction along the lines of largely subterranean buildings accessible through openings in the roof, similar to the kivas of the North-American Southwest, rather unimpressive and hidden from the outside. It is a distinct possibility that only a small group of people or ritual specialists had access to the enclosures. Taking into account the fierce and deadly iconography of Göbekli Tepe´s enclosures, male initiation rites including the hunt of fierce animals and the symbolic decent into an otherworld (especially if the enclosures really were roofed), symbolic death and rebirth as an initiate could have been one purpose of rituals at Göbekli Tepe.

Further Reading

Nico Becker, Oliver Dietrich, Thomas Götzelt, Cigdem Köksal-Schmidt, Jens Notroff, Klaus Schmidt, Materialien zur Deutung der zentralen Pfeilerpaare des Göbekli Tepe und weiterer Orte des obermesopotamischen Frühneolithikums, ZORA 5, 2012, 14-43.

Hauptmann, Harald, Ein Kultgebäude in Nevali Çori. In Between the Rivers and over the Mountains. Archaeologica Anatolica et Mesopotamica Alba Palmieri dedicata, edited by Marcella Frangipane, Harald Hauptmann, Mario Liverani, Paolo Matthiae and Machteld J. Mellink (Rome 2003) 37-69.

Morsch, Michael, Magic Figurines? Some Remarks about the Clay Objects of Nevalı Çori. In Magic Practices and Ritual in the Near Eastern Neolithic. Proceedings of a Workshop held at the 2nd International Congress on the Archaeology of the Ancient Near East (ICAANE) in Copenhagen 2000, edited by Hans Georg K. Gebel, Bo Dahl Hermansen and Charlott Hoffmann Jensen (Berlin 2002) 145–162.

Klaus Schmidt, “Ritual Centres” and the Neolithisation of Upper Mesopotamia, Neo-Lithics. A Newsletter of Southwest Asian Lithics Research 2/05, 13-21.

Klaus Schmidt, Göbekli Tepe – the Stone Age Sanctuaries. New results of ongoning excavations with a special focus on sculptures and high reliefs, Documenta Praehistorica (Ljubliana) 37, 2010, 239-256.

Boars in Göbekli Tepe´s Enclosure C: just a story of hunters and prey?

Depictions and sculptures of boars predominate the imagery of Enclosure C. Pillar 12 for example has a very nice depiction of a boar with pronounced canine teeth. Next to this depiction a sculpture of a boar was found, obviously deposited there during refilling. Another deposition of a boar sculpture, this time together with stone plates, was found next to one of Enclosure C´s central pillars. The list continues with many further examples, as most boar sculptures discovered at Göbekli Tepe are from Enclosure C. The richness of both  boar depictions  and sculptures hints at a special concern of the builders of that stone circle with wild boar. As other enclosures also feature a dominant animal species, there is the possibility that we are dealing with emblematic or totemic animals here. But not all of the depictions are just “emblematic” in character. It seems that some, or all, also tell a story.

In an earlier post [link], I have shortly reviewed the possibility of narrative elements in Göbekli Tepe´s iconography with regard to snake depictions. For example, on the front side of Pillar 20 in Enclosure D we see a snake moving towards an aurochs. The aurochs´ body is seen from the side, the head from above. The position of the head, lowered for attack, could be in futile defence to the snake. The aurochs´ legs are depicted oddly flexed, which could indicate his defeat and near death. As could the size of the snake which is depicted considerable larger than the aurochs.

Another pair of animals to which that kind of metaphoric “reading” might apply is boars and snarling predators. Both are depicted frequently at Göbekli Tepe, and in a highly standardized way. One cannot help to note the emphasis the depictions put on the dangerous parts of these animals, especially their teeth. Of special interest for an understanding of at least one aspect of the meaning of this imagery is Pillar 27 in Enclosure C. On its shaft there is a high relief of a predator moving downwards. Both, animal and pillar are made of one piece. Below the predator, a much smaller depiction of a boar was added in flat relief. The choice of different techniques for the images may not be coincidental. The small boar appears to be lying on the side, the predator moving towards it. One possible interpretation would be – again – a hunting scene, with the boar possibly depicted already dead.

At this point, another aspect of Enclosure C has to be mentioned. It is the only enclosure so far, where at least for one building phase a clear entrance situation (later blocked by a wall) could be discovered. The supposed entrance way is formed by two walls branching off almost rectangularly towards the south and running nearly parallel to each other. The walls are made of conspicuously huge stones which are worked on all sides. Like a barrier, a huge stone slab protrudes into this passage. The slab has not been completely preserved, however it is safe to say that once it had been provided with a central opening closed by a stone setting, of which two layers are still preserved. At the southern side of the slab, looking away from Enclosure C and towards the visitor, there is a relief of a boar lying on its back below the opening of the door hole. The reliefed porthole stone is accompanied by another building element. At first, in front of the porthole stone, the plastically carved sculpture of a strong beast of prey with a wide open mouth could be recognized. Whether it is a lion or a bear cannot be decided. Only 80cm away, we found a similar counterpart whose probably sculptured head, however, had been severed and is lost. When the excavation went on it became obvious that the second, eastern column, together with the western counterpart, belonged to one gigantic, monolithic, U-shaped object. Obviously, together with the porthole slab, it marked the entrance of Enclosure C.

So the scenery of Pillar 27 is somehow repeated at the very entrance of the stone circle. Not only are a boar in flat relief and three dimensional predators shown, this time the boar also lies on its back. But what could be the meaning of this? Or, more directly put, why would you portray an animal presumably important to  your group’s identity in an unfortunate condition? Some explanation might come from the predators here. They are often also portrayed in unfavourable conditions with their ribs clearly sticking out, as also on Pillar 27. Images of that sort are known from other contexts and sites in the Near Eastern Neolithic and beyond. They could reflect a dual symbolism of life and death, the interaction and correlation of both principles. This would fit with the general character of the enclosures. Their use-lifes included burial, the treatment of human imagery found inside them shows close relations to death ritual [link], as do finds of skull fragments with cut marks inside the filling. Symbolic death and rebirth are important features of rites of passage, as for example initiation ceremonies. The imagery could thus open up a path towards a deeper understanding of the functions of Göbekli Tepe´s enclosures.

Food for future thought, definitely.

Further reading

Klaus Schmidt, Die steinzeitlichen Heiligtümer am Göbekli Tepe, in: Doğan-Alparslan, Meltem – Metin Alparslan – Hasan Peker – Y. Gürkan Ergin (Hrsg.), Institutum Turcicum Scientiae Antiquitatis – Türk Eskiçağ Bilimleri Enstitüsü. Colloquium Anatolicum – Anadolu Sohbetleeri VII, 2008. 59-85.

Klaus Schmidt, Göbekli Tepe, Southeastern Turkey. A Preliminary Report on the 1995-1999 Excavations, Paléorient 26/1, 2001, 45-54.

Joris Peters, Klaus Schmidt, Animals in the Symbolic World of Pre-pottery Neolithic Göbekli Tepe, South-eastern Turkey: a Preliminary Assessment, Anthropozoologica 39.1,2004, 179-218.

Jens Notroff, Oliver Dietrich, Klaus Schmidt, Gathering of the Dead? The Early Neolithic sanctuaries of Göbekli Tepe, Southeastern Turkey, in: Colin Renfrew, Michael Boyd and Iain Morley (Hrsg.), Death shall have no Dominion: The Archaeology of Mortality and Immortality – A Worldwide Perspective. Cambridge: Cambridge University Press (2016), 65-81.

Oliver Dietrich, Çiğdem Köksal-Schmidt, Cihat Kürkçüoğlu, Jens Notroff, Klaus Schmidt, Göbekli Tepe. A Stairway to the circle of boars, Actual Archaeology Magazine Spring 2013, 30-31.

On half-skeletonized animals

Hodder, I. & L. Meskell, 2011. A “Curious and Sometimes a Trifle Macabre Artistry”. Current Anthropology 52(2), 235-63.

Huth, C., 2008. Darstellungen halb skelettierter Menschen im Neolithikum und Chalkolithikum der Alten Welt. Archäologisches Korrespondenzblatt 38, 493-504.

Schmidt, K, 2013. Von Knochenmännern und anderen Gerippen: Zur Ikonographie halb- und vollskelettierter Tiere und Menschen in der prähistorischen Kunst, in: Sven Feldmann – Thorsten Uthmeier (Hrsg.), Gedankenschleifen. Gedenkschrift für Wolfgang Weißmüller, Erlanger Studien zur prähistorischen Archäologie 1, 195-201.

 

How old is it? Dating Göbekli Tepe.

Dating sites and finds is the backbone of archaeology. Regarding Göbekli Tepe, we get lots and lots of questions about its chronology. These questions are absolutely legitimate (as actually really most of them are), and even more so with a site that claims to be the ‘first’ or ‘oldest’ (yet known) in many respects, the accuracy of dating becomes paramount. Of course we have a larger number of scientific publications on the topic, and more are under way as we type this. Yet academic publication sometimes needs its time and not everyone has access to a well-sorted research library. So, here we would like to provide a short summary of the story of Göbekli Tepe’s chronology.

Fig. 1

Table 1: List of radiocarbon data made on organic samples from Göbekli Tepe (DAI).

Fig. 2

Tabel 2: The main excavation area at Göbekli Tepe with origin of C14 samples (DAI).

Fig. 3

Table 3: Charts of radiocarbon data from Göbekli Tepe (DAI).

Fig. 4

Table 4: The calibrated radiocarbon data from Göbekli Tepe – single plots (DAI).

The period Göbekli Tepe was built in is addressed as the Pre-Pottery Neolithic (PPN) after one of its main cultural traits, the absence of pottery vessels (there are clay figurines later in the PPN, however). The general chronological division for the Early Neolithic was developed in the Southern Levant, by Kathleen Kenyon on the basis of the stratigraphy of Jericho. She observed a fundamental distinction in the ground plans of buildings – round constructions in the earlier PPN A, rectangular buildings in the later PPN B. She further based her subdivision on differences in the material culture. These differences are most obvious in a certain find category: projectile points. Very detailed categorization schemes have been elaborated meanwhile, based on material from sites throughout the Near East. They serve as ‘guiding fossils’ for dating (yes, early archaeologists borrowed this term from geology).

At Göbekli Tepe, we can differentiate two layers which are completely different in the type of architecture appearing in them. Layer III, the lower and thus older layer, has the famous circular enclosures with the T-shaped pillars. Layer II is characterized by smaller buildings with rectangular groundplans. They sometimes also have pillars that are much smaller than the older ones however.

Göbekli Tepe

El-Khiam-, Helwan-, Nemrik- and Byblos-Points from Göbekli Tepe (Photo: Irmgard Wagner, DAI).

Projectile points from Göbekli Tepe include PPN A types like el-Khiam, Helwan and Aswad points; regarding the PPNB, Byblos and Nemrik points are very frequent, Nevalı Çori points are rare. They clearly show that the site was in use beginning from the PPN A and into the PPN B. A closer examination of the points reveals, however, that characteristic forms of the latest PPN B are missing. Göbekli Tepe was abandoned after the middle PPN B, i.e. around 8000 BC. That is the time when agriculture finally is fully established; the demise of a hunter-gatherer site would thus fit in this general picture. There are neither domesticated plants, nor animals at Göbekli Tepe. Radiocarbon data support the general archaeological dating (see below).

L0978action_1610

Filling material in Enclosure D (Photo: K. Schmidt, DAI).

So far so good, but there is a problem with this story. The enclosures of Layer III were treated in a special way at the end of their use lives. They were cleaned, part of their fittings dismantled, and refilled. During the refilling, objects that obviously had a great importance to PPN people were deposited in the filling [link]. However it seems that refilling was a relatively fast process. There are no intermediate sterile layers brought in by water or wind.

This refilling is fascinating in regard to the enclosure’s functions but poses severe problems for the dating of Layer III using the radiocarbon method, as organic remains from the fill-sediments could be older or younger than the enclosures, with younger samples becoming deposited at lower depths, thus producing an inverse stratigraphy. Another issue is the lack of carbonized organic material available for dating; only in the last campaigns have larger quantities been discovered.

Given these inherent difficulties, in a first approach the attempt was made to date the architecture directly using pedogenic carbonates. These begin to form on limestone surfaces as soon as they are buried with sediment. Unfortunately the pedogenic carbonate layers accumulate at a variable rate over long time periods, so a sample comprising a whole layer will yield only an average value. This problem can be avoided by sampling only the oldest calcium carbonate layer in a thin section: the result should be a date near the beginning of soil formation around the stone, i.e. near the time of its burial. Radiocarbon data are available from both the architecture of Layers III and II. Although the observed archaeological stratigraphy is confirmed by the relative sequence of the data, absolute ages are clearly too young, with Layer III being pushed into the 9th millennium, and Layer II producing ages from the 8th or even 7th millennia calBC. Therefore, the data fail to provide absolute chronological points of reference for architecture and strata. At most they serve as a terminus ante quem for the backfilling of the enclosures (Layer III) and the abandonment of the site (Layer II).

A far better source of organic remains for the direct dating of architectural structures is the wall plaster used in the enclosures. This wall plaster comprises loam, which also contains small amounts of organic material. A sample (KIA-44149, cf. Tables 1-4) taken from the wall plaster of Enclosure D gives a date of 9984 ± 42 14C-BP (9745-9314 calBC at the 95.4% confidence level), thus placing the circle in the PPNA. This approach will be pursued in more detail in the future. A series of 80 samples has already been dated and will be published soon.

Concerning the filling material from the enclosures, two approaches have been pursued, the first dedicated to the dating of animal bones and a second to ages made on charcoal. The archaeological appraisal of a recently acquired series of 20 data made on bone samples is quite complicated as they pose some methodological problems. At least within the group of samples chosen, collagen conservation is poor, and the carbonate-rich sediments at Göbekli Tepe may be the cause for problems with the dating of apatite fractions.

Carbonized plant remains have been very scarce at the site, thus limiting the possibilities for dating charcoal. Nevertheless, three charcoal samples are available for Enclosure A. While two samples (Hd-20025 and Hd-20036, cf. Tables 1-4) stem from back-fill and have been dated to the late 10th / earliest 9th millennium calBC, a third charcoal sample (KIA-28407, cf. Tables 1-4) was taken from beneath a fallen fragment of a pillar. This sample has provided a date for a possible final filling event around the mid-9th millennium calBC. It is confirmed by a measurement (IGAS-2658, cf. Tables 1-4) made on humic acids from a buried humus horizon that provides a terminus ante quem for Layer II in area L9-68, dating to the late 9th / early 8th millennium calBC.

Larger amounts of carbonized material have been discovered in deep soundings excavated in preparaiton of the construction of permanent shelter structures over the site in recent years. Two deep soundings were excavated directly adjacent to the ring wall belonging to Enclosure D, with three new ages obtained from charcoal recovered from the sounding in area L9-78. These samples were collected close to the bedrock, which in its interior forms the floor of this enclosure. Calibrated ages cluster between 9664 to 9311 calBC at the 95.4% confidence level (UGAMS-10795, 10796, 10799, cf. Tables 1-4), a time-span which is in good agreement with the earlier measurement made on clay mortar from the ring wall of Enclosure D between Pillars 41 and 42 (KIA-44149, 9984 ± 42 14C-BP, 9745-9314 calBC at the 95.4% confidence level, cf. Tables 1-4). Based on these data, we now have a much clearer picture of the chronological frame within which construction activities took place in the area of Enclosure D. It is only regrettable that these four data all correspond to a period with a slight plateau in the calibration curve, thus resulting in larger probability ranges. Additional excavation work is needed to clarify the exact stratigraphical correlation of the three new charcoal dates with Enclosure D.

Finally, from the filling material of Enclosure D there is one new 14C-age made on collagen from an animal tooth found north of Pillar 33 (KIA-44701, 9800 ± 120 14C-BP, 9746-8818 calBC at the 95.4% confidence level, cf. Tables 1-4). Taken together with another new measurement made on charcoal extracted from the same fill (Layer III) in area L9-69 (UGAMS-10798, 9540 ± 30 14C-BP, 9127-8763 calBC at the 95.4% confidence level, cf. Table 1-4) there can still be no consensus regarding the time of abandonment and burial of this enclosure. Further radiocarbon measurements will be needed to clarify this process. Indeed, the animal tooth used to produce sample KIA-44701 (cf. Table 1) might even come from the enclosue’s use-life which, as we know, would have included the celebration of large feasts [link]. This line of thought would then allow for a considerable time (i.e. several hundred years) of use of the enclosure prior to its burial sometime in the late 10th or early 9th millennium calBC (UGAMS-10798, cf. Tables 1-4). But at the moment a rather short life-span of the enclosure remains possible too. At this point, reference should again be made to sample IGAS-2658 (8880 ± 60 14C-BP, 8241-7795 calBC at the 95.4% confidence level, Table 1-4) taken from a humus layer in area L9-68. This date marks the last PPN activities in this area and provides a terminus ante quem for Layer II.

To present, only one date is available for Enclosure C (UGAMS-10797, 9700 ± 30 14C-BP, 9261-9139 calBC at the 91.6% probability level, cf. Table 1-4). This sample was taken from a deep sounding in area L9-97 between the outermost ring walls of the enclosure and close to the bedrock. This could indicate that building activities at the outer ring walls of this enclosure were underway during the backfilling of Enclosure D. However, a larger series of data and a close inspection of Enclosure C´s building history will be necessary to confirm such far-reaching conclusions.

As a preliminary conclusion, the still limited series of radiocarbon data seems to suggest that the Layer III enclosures at Göbekli Tepe were not exactly contemporaneous. Earliest radiocarbon dates stem from Enclosure D, for which the relative sequence of construction (ca. mid-10th millennium calBC), usage, and burial (late 10th millennium calBC) are documented. The outer ring wall of Enclosure C could be younger than Enclosure D. However, more data are needed to confirm this interpretation. Finally, Enclosure A seems younger than Enclosures C and D. With only eleven radiocarbon dates, many questions remain for the moment that our new series of data will hopefully answer.

Further Reading
B. Kromer, K. Schmidt, Two Radiocarbon Dates from Göbekli Tepe, South Eastern Turkey, Neo-Lithics 3/98, 1998, 8–9.

O. Dietrich, C. Köksal-Schmidt, J. Notroff, K. Schmidt, Establishing a Radiocarbon Sequence for Göbekli Tepe. State of Research and New Data, Neo-Lithics 1/2013, 36-41.

Göbekli Tepe´s material culture
K. Schmidt, Göbekli Tepe. Southeastern Turkey. A Preliminary Report on the 1995-1999 Excavations, Paléorient 26/2001, 45-54.

Dating of animal bone
O. Dietrich, Radiocarbon dating the first temples of mankind. Comments on 14C-Dates from Göbekli Tepe. Zeitschrift für Orient-Archäologie 4, 2011, 12-25.

Dating of pedogenic carbonates
K. Pustovoytov, 14C Dating of Pedogenic Carbonate Coatings on Wall Stones at Göbekli Tepe (Southeastern Turkey). Neo-Lithics 2/2002, 3-4.

K. Pustovoytov, H. Taubald, Stable Carbon and Oxygen Isotope Composition of Pedogenic Carbonate at Göbekli Tepe (Southeastern Turkey) and its Potential for Reconstructing Late Quaternary Paleoenviroments in Upper Mesopotamia. Neo-Lithics 2/2003, 25-32.

K. Pustovoytov, K. Schmidt, H. Parzinger, Radiocarbon dating of thin pedogenic carbonate laminae from Holocene archaeological sites. The Holocene 17. 6, 2007, 835-843.

Dating of mud plaster
O. Dietrich, K. Schmidt, A radiocarbon date from the wall plaster of enclosure D of Göbekli Tepe, Neo-Lithics 2/2010, 82-83.

Göbekli Tepe – The first 20 Years of Research

Part 1: A (Re-) Discovery (1994-1996)

Beitrag Göbekli Tepe_Abb. 1

Göbekli Tepe before the start of excavations in 1995 (Photo O. Durgut, copyright DAI).

Göbekli Tepe was for the first time recognized as an archaeological site during a large-scale survey project conducted by the Universities of Istanbul and Chicago in 1963. In his account of work in the Urfa province, Peter Benedict describes the site as a cluster of mounds of reddish soil separated by depressions. The slopes were clustered with flint, and he described what he thought to be two small islamic cemeteries. The impressions of the survey team are mirrored in early aerial photographs of the site, taken before excavations started. The reddish-brown tell with its hight of up to 15m and a diameter of 300 m is the only colourful spot on the otherwise barren Germuş mountain range. Situated on the highest point of this geological feature, Göbekli Tepe is a prominent landmark at the edge of the Harran plain. The surveyors identified the materials at Göbekli Tepe as Neolithic, but missed the importance of the site. Further research may also not have seemed possible because of the assumed islamic graveyards.

Between 1983 and 1991 large-scale excavations, in fact rescue excavations in advance of the construction of the Atatürk barrage, were under way at another important Neolithic site in the Urfa region, Nevalı Çori. Under the direction of Harald Hauptmann, a Neolithic settlement was excavated that had large rectangular domestic buildings often similar to Cayönü´s channeled buildings. However, excavations revealed also one building (with three construction phases) that was completely different from anything known before in the Neolithic of the Near East. Not only was a large number of monumental stone sculptures discovered, but the rectangular building itself had T-or Gamma-shaped pillars running along the walls, interconnected by a bench, and a pair of T-shaped pillars in the centre. Due to the representation of arms and hands, these pillars could be understood as highly abstracted depictions of the human body.

Tree

The “wishing tree” at the highest point of Göbekli Tepe in 1995. The slopes of the tell are littered with finds (Photo M. Morsch, copyright DAI).

Nevalı Çori was finally flooded by the Atatürk Barrage in 1991. But one of the members of the excavation team, Klaus Schmidt (1953-2014), wanted to find out whether there were more settlements like Nevalı Çori hidden in the Urfa region, with special buildings and elaborated stone sculpture. In 1994 he visited all Neolithic sites mentioned in the literature. Drawing on the experience gained at Nevalı Çori, Schmidt was able to identify the ‘tombstones’ at Göbekli Tepe as Neolithic work-pieces and T-shaped pillars. The moment of discovery is best described in his own words [author’s translation based on Schmidt 2006]:

“October 1994, the land colored by the evening sun. We walked through slopy, rather difficult and confusing terrain, littered with large basalt blocks. No traces of prehistoric people visible, no walls, pottery sherds, stone tools. Doubts regarding the sense of this trip, like many before with the aim to survey prehistoric, in particular Stone Age sites, were growing slowly but inexorably. Back in the village, an old man had answered our questions whether there was a hill with çakmaktaşı, flint, in vicinity, with a surprisingly clear „Yes!“. And he had sent a boy to guide us to that place […]. We could drive only a small part of the way, at the edge of the basalt field we had to start walking […]. Our small group was made up of a taxi driver from the town, our young guide, Michael Morsch, a colleague from Heidelberg, and me. Finally we reached a small hill at the border of the basalt field, offering a panoramic view of a wide horizon. Still no archaeological traces, just those of sheep and goat flocks brought here to graze. But we had finally reached the end of the basalt field; now the barren limestone plateau lay in front of us. […] On the opposed hill a large mound towered above the flat plateau, divided by depressions into several hilltops. […] Was that the mound we were looking for? The ‘knocks’ of red soil Peter Benedict had described in his survey report, Göbekli Tepe, or to be more precise, Göbekli Tepe ziyaret? […] When we approached the flanks of the mound, the so far gray and bare limestone plateau suddenly began to glitter. A carpet of flint covered the bedrock, and sparkled in the afternoon sun, not unlike a snow cover in the winter sun. But this spectacular sight was not only caused by nature, humans had assisted in staging it. We assured ourselves several times: These were not flint nodules fragmented by the forces of nature, but flakes, blades and fragments of cores, in short artifacts. […] Other finds, in particular pottery, were absent. On the flanks of the mound the density of flint became lower. We reached the first long-stretched stone heaps, obviously accumulated here over decades by farmers clearing their fields […]. One of those heaps held a particularly large boulder. It was clearly worked and had a form that was easily recognizable: it was the T-shaped head of a pillar of the Nevalı Çori type…”.

S1

S1, the first test trench at Göbekli Tepe (Photo M. Morsch, copyright DAI).

At the moment of its re-discovery in 1994, Göbekli Tepe was nearly untouched by modern activities. The tell could be reached only by foot or horse. The only use, agriculture without deep ploughing, was documented by the extensive ‘walls’ of stones cleared from the fields. Due to heavy winter rains, the possibilities for agriculture are good throughout the region, but Göbekli Tepe is the only spot of arable land in the wider area.

Systematic survey preceded fieldwork. It resulted in a wide range of finds, including sculptures not unlike the ones already known from Nevalı Çori. Excavation work was initiated by Klaus Schmidt the following year, as a cooperative project with the Museum of Şanlıurfa under the direction of Adnan Mısır and the Istanbul branch of the German Archaeological Institute under the direction of Harald Hauptmann.

A first test trench was opened at the base of the southeastern slope, where a modern pit had been cut through a terrazzo floor. Already in this first excavation area a peculiarity of the site was recognized: the tell is not formed mainly of earth and loam. Göbekli Tepe’s sediments are largely made up of limestone cobbles, bones and flints, mixed with relatively little earth. The trench further revealed rectangular buildings characteristic for what was later determined as Layer II, dating to the early and middle PPN B. Two rests of pillars further confirmed the similarities between Göbekli Tepe and Nevalı Çori.

Anlage A

Enclosure A in 1997 (Photo M. Morsch, copyright DAI).

Excavation work did not continue in this area in the next year. During the first field season one of the landowners had started work to clear his field in the southeastern depression of stones that hindered ploughing. He had dug out the heads of two large T-shaped pillars and had already started to smash one pillar head with a sledgehammer. Fortunately he could be persuaded to stop, and in the 1996 work started in this area. What came to light here was the first of the monumental enclosures of Göbekli Tepe´s older layer (Layer III).

The ground plan of what was later called Enclosure A appears more rectangular than round. Pillars 1 and 2, the central pillars of Enclosure A nearly destroyed by the farmer, were excavated down to the level of the stone bench of the enclosure. Both pillars are richly adorned with reliefs. Particularly striking is a net-like pattern, possibly of snakes, on the left side of Pillar 1. The front side of this pillar carries a central groove running vertically from below the head to its base, covering about one third of its width. This groove and the raised bands to either side are decorated with five snakes in bas-relief. It is most likely that they represent a real object, some kind of stola-like garment.

Pillar 2 carries on its right side a vertical sequence of three motifs: bull, fox and crane. Its narrower back side is adorned with a bucranium between the vertical bands of a stola-like garment. Insights and experience gained in the last years, particularly with regard to typical motif-arrangement, suggests that Pillar 2 is not in its original position but was at some time moved to this secondary location. In the course of this action, the original back side of the pillar became its front and vice versa. Currently, the number of pillars surrounding the two central figures in Enclosure A lies at four.

The following field seasons have revealed astonishing features and finds at Göbekli Tepe that considerably have changed our image of complexity, creativity and organization of the last hunter-gatherers of southwest Asia.

To be continued – stay tuned for future posts on the fascinating history of research at Göbekli Tepe!

Read the full story here:
Klaus Schmidt, Sie bauten die ersten Tempel. Das rätselhafte Heiligtum der Steinzeitjäger. Die archäologische Entdeckung am Göbekli Tepe. C.H. Beck: München (2006).

Klaus Schmidt, Göbekli Tepe. A Stone Age Sanctuary in South-Eastern Anatolia. ex oriente e.V.: Berlin (2012).

The original survey report by Peter Benedict:
Benedict, Peter. 1980. “Survey Work in Southeastern Anatolia.” In İstanbul ve Chicago Üniversiteleri karma projesi güneydoğu anadolu tarihöncesi araştırmaları – The Joint Istanbul – Chicago Universities Prehistoric Research in Southeastern Anatolia, edited by Halet Çambel and Robert J. Braidwood, 150-91. Istanbul: University of Istanbul, Faculty of Letters Press.

On Nevalı Çori:
Hauptmann, Harald. 1988. “Nevalı Cori: Architektur.” Anatolica XV: 99-110.

Hauptmann, Harald. 1993. “Ein Kultgebäude in Nevali Çori.” In Between the Rivers and over the Mountains. Archaeologica Anatolica et Mesopotamica Alba Palmieri dedicata, edited by Marcella Frangipane, Harald Hauptmann, Mario Liverani, Paolo Matthiae and Machteld J. Mellink: 37-69. Rom: Gruppo Editoriale Internazionale-Roma.

Hauptmann, Harald. 1999. “The Urfa Region.” In Neolithic in Turkey, edited by Mehmet Özdoğan and Nezih Başgelen, 65-86. Istanbul: Arkeoloji ve Sanat Yayınları.